Week 1: Plus Post


Week 1: Plus Post

Wow … I can’t believe we’ve only been through one assignment. There are things I’ve done with my camera settings that I’ve never dared to before. There are subjects I’ve shot that I brushed off as “un-photo-worthy” for eons.

One was all it took to open up a whole new world of possibilities.

Instead of seeing an object for what it is, I now try to imagine how it will look as an abstract or with a bit of a motion blur thrown in. Feels like I’m trippin’.

I often take the train to town, I spend the bulk of that time, reading, but for this assignment, I decided to look out instead and use the forward motion of the train to add blur. Poppies growing wild suddenly became streaks of red and green. Graffiti became pastel palettes. Tungsten lights became streaks of crazy shapes and forms. Buildings became unboring.

There were so many happy accidents in the pictures I took this week. Hopefully, from now on, I’ll intentionally incorporate them into my shooting.

Details, details, details —- shadows make such good points of interest

Light — Try and get more of it where motion is being captured.

360 — If vertical doesn’t work try horizontal, try diagonal, try circular, but don’t just give up on a subject.

Lines, textures, colour play a huge role in what is being shot.

There is always a shot — I went to shoot in a certain spot anticipating high foot traffic, but the universe was not paying much attention. Doesn’t mean I didn’t get my shot. Just means that I got something else 🙂 Keep those peepers open and be ready to adapt!

and probably the most important takeaway for me – Clean that sensor, gal!

A huge thank you to Alex Lapidus and G+ Mentorship Program for Photographers for running the show.

The crew and my fellow participants for taking the time to comment, compliment and motivate.

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0 responses to “Week 1: Plus Post”

  1. Fantastic post Lucille. I love the way you write, straight from the soul. I’m happy to hear you’ve opened up new possibilities.

    This is a gorgeous image. With most abstracts I don’t want to know what the subject is, it takes away some of the mystery or my own interpretation. When I connect with an abstract, it is because it stirs up an old and often happy memory. In this case, I’m pleased I know what I am seeing. I now have a vision of you sitting on a train, thoughts lost as you gaze out over sun drenched fields populated by poppies.

  2. YES TO ALL YOU MENTIONED

    What a wonderful great sum up for a great first week Lucille Galleli

    So happy for you that you find so much value already in the first week..

    And indeed: Don’t give up un a subject after the first shot 😉

  3. My favorite line, “Doesn’t mean I didn’t get my shot. Just means that I got something else.”

    Can be used in all areas of photography. There are no failures.

  4. I really sense your excitement Lucille Galleli and the fun you’ve had. I hear you on the sensor …yip the world of blur and f22 settings can certainly reveal those dust spots!

  5. I love your “There’s always a shot”! I think so too – this is a search for art in all of these lessons – it’s going to be great fun getting more into this.

  6. Wow…. that’s such a gorgeous thing to say. Strangely enough, Edward Norton… straight from the soul, is exactly how I’d describe your writing as well.

    Thank you. Immensely grateful.

    I’m glad I left you with a vision of what is behind the camera and not just the end result. To me, realising that such an image was possible, was a moment of profound self-discovery. I’m delighted to share it with you and the group.

  7. I haven’t smiled at my screen as much as I have since I joined this mentorship. To wake up to such comments and to feel such support. Priceless. Thank you so much Rosie Nixon 🙂

    The things we do for blur … stand in line for hours 😀

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